St Joseph's Convent Correspondence with the Poet

My Convent closed back in 1989.  It was only years later that it became apparent that items of the convent & school which had existed since 1901 were very scarce.
In 2015 I found that out that the convent had a few alumni: actress Jean Kent, who only recently died aged around a 100 & did a TV interview, Anne Shelton  a singer known during World War II.  Sister Theresa was proud of both of them and would tell later pupils that she taught them.

Might be able to include myself if the acting career progresses some more!

Thanks to a poem about 'nuns in Hatherley Road' I found the award winning poet Fleur  & her author sister Marilyn also attended from 1939 & Marilyn in the late 40s. 

I contacted Fleur & here is an excerpt of our correspondence. I'll be uploading excerpt from an audio interview I did with a former pupil who took the nuns back to France too

This is part of the correspondence I have had with an award winning poet who attended the school -

Hello Steve,

Many thanks for this. Fascinating to hear that it was founded by three teenage nuns! I forwarded it to Marilyn, who was very interested; she sent me an e-mail of which part reads:

"I've got a beautiful letter from Sister Maria – copperplate handwriting and a pressed flower – posted 5th October 1947 and headed "St Joseph's Convent Sidcup". I saw Sister Maria (emphasis on the first syllable) when I visited in 1979. She was pretty ancient then, but still a lovely thoughtful woman. I think I do remember Sister Blanche and Sister Antoinette, who was tall and distant – taught us geometry. I always told my friends in New Zealand the school was called St Joseph's because St Gertrude’s (as our mother referred to it) sounded so silly."



I think she must be a little confused about the names if Sister Antoinette was actually only 4’ 8", as you say, but obviously she remembers the place with affection. She was 11 when she went there, and made a couple of good friends.


I went to St Lawrence’s a couple of times when I was 12 with two Roman Catholic girls, a little older than me, daughters of some friends of my parents. I was very impressed by the atmosphere and had brief yearnings to become a Catholic.


Best wishes,

More between myself & Fleur,
 [Fleur writes]

The poem ‘St Gertrude’s, Sidcup’, is the second one in a sequence called ‘Schools’ mentioning most of the eleven schools I attended in England during and after the war.

We first arrived from New Zealand in October 1939, when I was five, and I was enrolled at Halfway Street School, Sidcup, near where we lived in Wyncham Avenue, but after a few weeks that school closed because most of its pupils were evacuated to the country.

My parents then sent me to St Gertrude's, to which I had to travel on a bus because it was some distance from home; I remember being there before Christmas and making Christmas cards;

I was also impressed by the slightly gloomy atmosphere of dark polished wood and the novelty of so many stairs (not a common feature of New Zealand buildings). In May 1940, when the blitz, began my younger sister and I were also evacuated (unofficially) to stay with some relatives in Leicestershire.



However, I'm now beginning to wonder whether I was mistaken about the name. We never referred to the school as anything but "the convent", which was an adequate designation in view of the fact that we were not Roman Catholics and this was the only such school in our experience.

Looking back afterwards as an adult, and discussing it with my mother, I discovered it was known as St Joseph's and St Gertrude's; when choosing a title for the poem in the 1980s it seemed logical to go for the name of the female saint rather than the male one, but a bit of research now suggests that St Gertrude's was the high school and that the primary school, presumably for both girls and boys, was St Joseph's.

All I know is that the school I attended was in a row of houses at the top of Hatherley Road, near the High Street; there is a photograph of it in ‘Sidcup: a pictorial history’, by John Mercer (Phillimore, 1994).


Perhaps I should mention that my sister Marilyn (the NZ novelist Marilyn Duckworth) later attended the school for a few months in 1947, by which time we had returned to Sidcup from our various travels

 

Part of one of my letters to her -

The ambiance of the school, its aesthetics & all the statues and paintings everywhere
Instead of Catholic dogma the emphasis was on the spirituality and the drama & ceremony of religion- I believe it's one of the reasons I became an actor.
That not many schools have a chicken range and small farm area!

The nuns attitude that you should be whatever you choose to be: scientist, artist, writer or poet they never discouraged aspirations & some pupils went into the sciences encouraged by Sister Denise's enthusiasm. I've ended up as a writer, artist (less good at that), actor & trained in the sciences!


The "slightly gloomy atmosphere of dark polished wood" was still very present at the school in the 70's & 80's.


The polished wood was largely done by us boys! It was a 'punishment' for 8 to 11 year olds to tie dusters to our feet and then slide on the floor to polish them. Boys being allowed to slide around is hardly a punishment.

The name is confusing:
There's a photo from 1902 which shows the school name as:
English-French School
Then a few years later another photo:
St Josephs Convent and School
then they added the St. Gertrudes for secondary school girls
Finally around 1960 it all became:
St Josephs Convent

Of the nuns you and Marilyn might remember, there are some that I knew too over 30 years later:

Sister Marie-Claire (Marie Villete) who was the 17 year old founder in 1901 , I knew her until her death on 17 October 1979 on the morning of her 95th birthday.
She was joined in 1901 by two 18 year olds, Rosalie Noel &
Anna Benchard. Three teenage nuns being sent to a foreign country to create a school and convent has impressed many former pupils. Sister Blanche Torville came around 1907 & was still there around 1970. Sister Emanuelle retired back to the motherhouse in Briouze in Normandy in 1977.

Two nuns who were teaching in the 1940's were Sisters Antoinette and Denise. They and the others returned to France in 1989. Sr. Antionette was the 4'8" teacher of the infants class and also did needlework and maths. She was still alive at the age of 98.

Sr. Denise taught French and Spanish and was probably the tallest of the nuns. Unlike the others she wore all black; none of us know why she didn't wear a blue habit like the others.

Like you I'm not Roman Catholic. My sister (different mother) & my Irish grandmother et al were all R.C. but my mother is Christian Spiritualist and my father although baptised Anglican was aligned with the Quakers. I chose St Josephs because something 'felt right'

I'm researching the Convent & it's connection with St Lawrences in order to preserve the cultural & oral history, which are so often lost by not being recorded.

With regards to St Lawrences, our Mass day was every Tuesday morning being trooped through the High Street to the church.

St Joseph's Convent Sidcup Kent

St Joseph's Convent (primary school, Sidcup)

This is a copy of my article on Wikipedia with more information. I hope this is also useful for researchers on oral history,cultural studies, and religious education.On this page: St Joseph's,St Lawrence's Church, Loreto Ladies,Marist Fathers,St Mary's Grammar school, St Peter Chanel school, Verona Fathers (Comboni Missionaries)-

St Joseph's Convent, Sidcup was a Roman Catholic  mixed infant and junior school from 1901 to 1989. Comprising a convent and Preparatory school. For a few decades it also taught girls in Secondary education. The school was located on Hatherley Road, Sidcup, Kent in the London Borough of Bexley, England.

Very early photo of the Convent, the card is titles St Joseph's but the boards on the railings say 'St Gertrude's Ladies School'


The school underwent a number of name changes since its inception. Officially called St Joseph's, the plaque on the convent building was originally "English and French School" . The diversification into two schools introduced a second school name. For the final 40 years of the school's existence the name plaque at the apex read "St. Joseph's Convent and School."

St Joseph's Documentary

The actor-director Stephen Armourae who was a pupil from 1975 to 1981 has recorded an interview with a former pupil and is in preproduction for filming a documentary on the Convent.

Early years

The school was founded by three French nuns who were members of an order in Normandy France. It was commonly believed they were members of the Soeurs-De-L-Education-Chretienne in English known as Religious of Christian Education , since their mother house was in Briouze prefecture of Normandy. However further research by Stephen Armourae with help from the Southwark archives established the Order was Sisters of the Immaculate Conception originally called Loreto Ladies. A branch of the Institute of the Holy Family, founded in 1820 by the Abbé Pierre Bonaventure Noailles, Canon of Bordeaux. They arrived in 1901 during a period of anti-clerical legislation in France. The Order itself had been opening overseas convents since the 1880s in response to the Third Republic's anti-clerical legislation. Sister Marie-Claire was aged 17 (born 1884) when she arrived in Sidcup was the sister superior of the convent. Accompanying here were Rosalie Noel born 1883 and Anna Benchard born 1882.
The name St Joseph's Convent was chosen from the saint sacred to the Order, as the orphanage division of the Loreto Ladies are named Sisters of St. Joseph. A third branch is the Sisters of Hope who are nurses. The Order was founded during the restoration of the Bourbon dynasty and the rule of the Ultras in France, less commonly called Ultra-royalist. They had seized power shortly after Napoleon's defeat at the Battle of Waterloo. A number of nunnery orders were founded to educate girls to uphold Catholicism and Ancien Régime, and to oppose the radicalism of the French Revolution and especially the women of the French Revolution.

Founding of the convent

With the help of the mission priest at Chislehurst, the Sisters of Our Lady of the Immaculate Conception of Briouze opened a convent in Sidcup in 1901. On 2 October 1902 they opened a convent school at Hatherley Road.
The Convent was instituted in response to the rise of Catholic residents who had relocated from the poorer parishes of New Cross and Camberwell. They provided free education to the children of these low income families.
A stable was converted into a chapel, where the first Mass was said on the feast of St Lawrence of Canterbury on 2 February 1902.
Census records for 1911 list more than 8 nuns plus a child named  Jean Schmidt living at St Joseph's.
Census 1911, sister superior, Sister Marie has the following colourful description:
Marie Villette, 27, Mistress, Kent ,1884 Resident, France
Marie Villette ,1884 , France, Resident Bromley Foots Cray Kent

Another nun,
Augustine Forget 39 Mistress Kent 1872 Resident, France

Social changes result in name changes

It is believed that St. Joseph's began admitting boys in 1902, and in its first year it had been exclusively girls, however this remains a point of debate. The school was known as both "St. Joseph's" and English and French School, the latter being displayed on boards on the convent gates while St Joseph's Convent was carved on the apex with a statue of the saint holding the infant Jesus. In the 1920s the English and French School name wsa replaced by St Joseph's for the boys' school and St.Gertrude's for the girls' section; named after Gertrude the Great.
Later St Gertrude's became "St. Gertrude's High School" when the schools were reorganised into St Joseph's for primary education and St Gertrude's for girls' secondary education. Around 1965 the two schools were amalgamated under the name of St Joseph's as a mixed primary school.

St Josephs class with a male teacher

St Gertrude's added St Gertrude's High School for Girls due to a rising demand of for school places as a consequence of the increase in size of population of Sidcup. Sidcup was rural town, but this began to change following the opening of the Sidcup railway station as part of the Dartford Loop Line. The first major influx was from the slum areas of New Cross, this included an increase in Roman Catholic people which encouraged the building of St Lawrence's Church to meet the growing population spiritual needs. This led to a surge in pupil numbers at St. Joseph's.

The senior girls block at the period when St Josephs was called St Gertrudes

Classroom at St Josephs

Following the electrification of the rail line between London Bridge Railway Station and Dartford, property speculators purchased farmland in Sidcup and built more expensive properties attracting middle class residents. The new populace having more disposable income were able to enroll their children in fee paying schools. To meet this demand, the nuns opened a fee paying secondary school, St Gertrude's High School for Girls for this demand.

 None of these have the habit worn by our nuns, the cornice style on the far right would have jazzed things up

Connection with St. Lawrence's Church

The nuns and the pupils used the local Roman Catholic church of St.Lawrence named in remembrance of Lawrence of Rome for Masses and religious observations. From 1901-1911 this church was under the auspices of the Verona Fathers . Due to an ambitious building scheme, they were forced to relinquish the church due to debts. The church then passed to the Marist Fathers who continued the fraternal link with the Convent and installed a relic of their patron St.Peter Chanel. The relic kept in a small display box near the altar was given to the Marist Fathers as part of the Marist collection that was brought first to France following missionary reassignment. The relic contained a pressed red flower from the South Sea Islands, red representing martyrdom in Catholicism. The accompanying inscription stated that Chanel had been killed by, a warrior who had been injured trying to stop King Niuliki son Meitala from being baptised.King Niuliki incited Peter Chanel's murder,due to jealousy of Christianity.
Tuesday mornings was the regular day for pupils to attend Mass at St Lawrence's. This would consist of the entire school, with the exception of the kindergarten, walking through Sidcup High Street to reach the church.

The end of the convent

Sister Marie-Claire who was the founding nun and Sister Superior in 1901. Eventually she died in her sleep on her 95th birthday on Wednesday 17 October 1979. She was succeeded by one of the cooks.
The school closed in July 1989. The local newspaper, The News shopper, ran an article in March 1989 detailing a public meeting where it was announced the school would be closed due to the bishop in France being unable to provide a sufficient number of nuns to replace the ageing nuns at the Convent.
The Bishop of Normandy's decision to recall the nuns was due to lack of replacement novices willing to teach in England, the age of the resident nuns and the growing debts due to the nuns refusing to raise their school fees in order to maintain the ethos of providing education available to lower incomes.
Following the demolishing of numbers 2 to 8 of Hatherley Road a new building was constructed, the Sidcup Nursing and Residential Centre. The Centre has been a place of controversial following the discovery of a dead resident with a pillow over her face in 2012.
The Order continues to be involved with a school in south west England. Sister Anne is the only member of her convent who teaches at their St Joseph's Convent.

Nuns at the convent since 1970

All the teachers who had taken religious vows were members of the Sisters of the Immaculate Conception also known as Ladies of Loreto.

• Sister Antionette - returned to France when the convent closed at the age of 93. She taught the kindergarten, maths and needlework.
• Sister Blanche - retired to France in 1974
• Sister Denise - returned to France when the convent closed. Taught French, Spanish and science
• Sister Emmanuel - former headmistress. She taught the kindergarten until 1977. She retired to France as a result of arthritis.

Sister Marie-Claire - one of the founders. She taught different subjects including typing at the girls' secondary school of St. Gertrude's. Her administrative duties were reduced when she was 90 and in declining health by which time she required two walking sticks. Died 1979 aged 95. Her name was pronounced with an emphasis on the first syllable in Marie. She would take non-Catholic pupils. This occurred particularly on the closure of Halfway Street school on the outbreak of World War II when there was an influx of non-Catholic and some Jewish pupils.
Sister Theresa - unlike the other nuns she was English. She became headmistress after Sister Emanuel. She taught the final year boys. Her specialisation was mathematics. She managed the school trips. She died in September 1980.
There were two nuns who were cooks for the school. They did not teach due to their strong French accents. One of them became sister superior on the death of Marie-Claire.
Other nuns known to be at the Convent Sister Renee - she was at the Convent at an early date and taught for decades.
Sister Eileen and Sister Moiren were teaching in the 1940s-1950s

Lay Teachers

Many laity teachers who had not taken holy orders taught at the school. A photograph from 1917 shows a male teacher.[4] For the final 30 years of the school, all teachers were women,with the exception of Stephen Armourae who provided a few geology and science lessons; he went onto to study physics, pharmaceuticals, chemistry and engineering. As an actor and designer he also studied at Rose_Bruford_College,Goldsmiths,_University_of_London,Ravensbourne_(college) and IMT in acting, design,sound engineering, film and broadcasting. Plus attending many research and PhD seminars in the Classical Music department.
Some of the teachers were: Mrs Cullen (girls IIIrd year), Mrs Taylor(girls IInd year), Mrs Gomez(girls IIIrd year and speech lessons), Mrs Naylor (PE), Mrs Greatrex(music), Mrs Diamond(girls IV year), Mrs Cohrino, Miss Lenahan(mixed II2nd year), Mrs O'Hanlan(music), Mrs Newman(girls Vth year), Mrs Wren(boys Vth year). The latter two were headmistresses following the death of Sister Theresa.

Alumni

The award winning writer and poet Fleur Adcock and her younger sister Marilyn pupils at the Convent and attended during the existence of St. Gertrude's. Fleur refers to the school in her collection of poems The Incident Book (1986) A short excerpt from her poem about the school is here  Two her poems describe the school: St Gertrude's Sidcup and Halfway Street Sidcup.
The poem St. Gertrude's Sidcup is amongst Adcock's most famous work due to the memorable first and last lines
Nuns, now: ladies in black hoods; ..... and my knickers fell down in the snow.
The actress Jean Kent, who appeared in a number of films from the 1940s to the end of 50s was a pupil.

Jean Kent,Sister Theresa confirmed that Jean attended the Convent to future pupils including Stella Foxwell

Another which Sister Theresa told pupils was the popular singer Anne Shelton (singer). Her niece Kelly contacted Stephen Armourae with this message:
Hi Steve, Kelly here Anne Shelton's niece. Yes indeed she did go to the convent..and many happy memories she had of those days. All the best, God Bless and Merry Christmas xx

Uniform

School cap property of Stephen Armourae (1979)

The nuns of the Order have always worn blue as part of their religious habit. This caused the formal nickname Le souers de la Coeur bleu. Consequently, the school colours for the uniforms at St. Joseph's were predominantly blue. According to early photographs the first girls' uniforms were light blue smock with a broad rimmed hat. From the 1950s onwards the school uniform colours were blue and yellow. School blazers for boys were navy blue with the initials S and J overlapping on a badge background. This design was repeated on the school caps and ties. A light grey shirt and darker grey shorts.
Girls had a darker blue blazer. Their hats were modelled on a combination of a Renaissance beret and a military cap. On the front it bore an enamel badge stylised in a coat of arms quadrant. In the summer term girls were allowed to wear a straw hat styled similar to a bowler hat with an enamel badge with the S.J. overlapping letters in yellow on a navy blue background.

Music - BBC Music Workshop 

(I'll be writing a more detailed article)
Autumn 1980 BBC Music Workshop at the Convent & maybe the best one. I have a copy of this and will be recording some of the music to put online. The BBC have erased all recordings and destroyed all copies.

The BBC are still getting requests for the '60s-80s Music Workshops.

Pupils who listened to the BBC accompanying broadcasts at 10.45 on Thursday or Friday morning will remember the clumsy music theory at the back of the book:

Instead of teaching music notes, we had this nonsense!
Duck = quaver quack goes the BBC broadcast
Fox = crotchet
Cow = minim
Elephant = semibreve

Nuns Dress

The religious habit of the nuns varied according to whether they had taken their final vows. Nuns who were teachers but still novices wore a white cornette style headdress with a holy habit also called a tunic. This is seen in a couple of photos circa 1910 of teaching nuns. They all wore a silver cross topped with a heart of blue cloth under their tunic hence the nickname "sisters of the blue heart." On becoming a bride of Christ the headdress would be changed to a white coif with a black veil and a guimpe.
A source of confusion was that Sister Denise was the only nun who wore all black instead of a blue tunic. This was due to her choice of retaining the French style of dress of all black instead of the blue tunic which was only worn by nuns in Britain.

School anthem

The school anthem was "We Are the Pupils of St. Joseph's School". A mid-fast tempo song of 150 beats per minute in G major with an ascending musical phrase at the end of each vocal line. It features a middle 8 with a tricky double triplet descending across the scale repeated 6 times which would cause mistakes in singing without sufficient practice due to the song's fast tempo.
Music was an important part of the school since being a religious establishment, hymns were sung at all assemblies. As part of the singing training the pupils held a successful carol concert at St Lawrence's in December 1980.
(Start in a major key like G or C .Very uptempo) "We are the pupils of St Joseph’s School and to him we sing our praise, (Key change still major, actually it is all major) May the holy spirit of St Joseph rule within our hearts always,
(now the middle 8 so change in time signature & it becomes a tongue twister which did have the music teacher repeating it until students had it right)
With St Joseph to guide us, always walking beside us, so secure and protected we will be, (return similar to opening melody but more forza) So safe in the love of him who was the father of the Holy Family.
Bless us dear St Joseph, May our hearts be good, Teach us to help and love one another just as Jesus said we should."

Discipline

The school retained corporal punishment by caning until Mrs. Wren became headmistress in 1982. Sister Theresa who was headmistress from 1968 to 1980 would cane pupils irregularly but she did cane two boys aged 6. Mrs Wren had a mentally disabled son which influenced her opposition to corporal punishment in education.
An eccentric punishment was to order pupils to pray before a large statue of Jesus that was situated on a mound in the playground. If this position was already occupied the disobedient child had to pray before a statue of the Virgin Mary situated 15 yards away. This punishment was not monitored which enabled the pupil to say anything they chose rather than recite a prayer. This 'punishment' was only applicable to boys as the statues were located in the boys' playground.
Another punishment, for boys aged 8 to 10, which was actually a source of enjoyment was to polish part of the ground floor area using dusters tied to the feet. This is a practice that occurs in some Catholic Orders, The Doctor Who actor Tom Baker recalls the same practice during his time at a monastery in his autobiography Who On Earth Is Tom Baker (ISBN 0-00-638854-X).
The result of using dusters covered in floor polish on a smooth floor was that friction would be so low as to result in high and often uncontrolled speeds when polishing the floor with the feet. Pupils would often career into furniture resulting in bruising.

St Lawrences

St Lawrences where St Josephs worshiped 1901–1989 and founder of St Marys Grammar & St Peter Chanel School

This church administers to the pastoral religious requirements of the schools in its parish: St Joseph's Convent, St Mary's Grammar, and St. Peter Chanel School. The latter two were founded by and had teachers from St. Lawrences.

St Lawrences and the college

The church was built by the Dioceses of Southwark to meet the religious worship of the growing Catholic population. The church was place under the care of the Verona Fathers. Building commenced in 1900.

Church connected to St Joseph's Convent,Sidcup,Kent.Composite photo of statues taken by Stephen Armourae. Religious statues.Pupils of St Joseph's Convent would pray before these.Light votive candles. The Eucharist gong was struck during the elevation of the Host

As was common in the Late Victorian era the Gothic Revival architecture had fallen out of fashion due to its ubiquity and ornateness. Instead brick buildings had become popular due to their ease of construction and uncluttered design. The arched central ceiling of the church was a sky blue colour in accordance to the Catholic theological practice of representing Heaven
St. Lawrence's is in the style of neo Romanesque architecture or Romanesque Revival architecture. Constructed of brick it features the arches typical of Romanesque architecture on a smaller scale. A mosaic design for the name is above the entrance. In the courtyard is a full size metal statue of Christ in a blessing pose standing upon a plinth.
St. Lawrence's Church was founded after St Joseph's Convent had started education. In 1903 the Diocese purchased with the help of Miss Roberts a plot on Main Road. In August the mission was entrusted to the Verona Fathers, also known as Sons of the Sacred Heart. 1904 houses 1 and 3 Hamilton Road were acquired. Building occurred between 1904 and 1906; the commission was given to architect Edward Goldie (1856–1921), son of the architect George Goldie. Conscrtuction used stock brick, laid in English bond, with stone dressings and a tiled pitched roof. The plan is cruciform, approaching a Greek cross with slightly shorter transept arms. The crossing roof has four gables in the main directions.St Lawrence's opened when Bishop Amigo consecrated the church on 15 August 1906. Only the main body of the church was completed. The aisles and sacristy were added after 1906. The eastern arm was bricked off and used as the sacristy. 109 Main Road, which was next to the church was built as a school for vocations to the African missions.
The ambitious scale of the construction resulted in the Verona Fathers being unable to fund the projects. They were forced to relinquish the church in 1911 with debts of £6000. The equivalent of over £483,000 in 2015.
The Marists took control of the church and parish in 1911 from the Verona Fathers. The parochial house became St Ethelberts Marist College under Father Dr. John Mulkern who was the first rector or parish priest to take over from the Verona Fathers, it was opened in 1911.
The side aisles and the sacristy were completed in 1930 by Messrs Frederick Smith of London, and once again Bishop Amigo reopened St. Lawrence's on 27 April 1930.The organ was installed in 1940, followed by the pulpit and altar rails in 1942. Side altars were installed, dedicated to Our Lady and the Sacred Heart. A high altar was intended for installation next in 1943, but the Second World War prevented imports from Italy. Instead a Mr. Palla designed the altar in England. Plans for the high altar dated back to 1930 as presented in plans showing an alternative design of a simpler altar under a large baldacchino.
The uppermost west window had a stained glass depiction of Christ with the Blessed Sacrament and the inscription ‘Charity’ added. The west arm with kingpost roof has windows depicting St Patrick and St Gertrude. St Gertrude was chosen to honour the nuns of St. Jospeh's secondary school St Gertrude's which was absorbed back into St Joseph's soon after.
With the additional changes to the church, it was consecrated 6 June 1956 by Bishop Cowderoy. The three revisions since then of the sanctuary has resulted in the loss of the east wall paintings with geometric patterns, the inscription ‘Et verbum caro factum est’ and a mandorla behind the crucifix. The timber pulpit removed 1970 was octagonal, set against the northeast crossing pier. The high altar had marble colonnettes flanking the frontal, a horizontal panel with a blind arcade behind the tabernacle, above which stood a tall canopied monstrance throne. Four marble columns, two freestanding colums and part of the arcaded panel were reused for the Lady altar at Blackfen. The building work was undertaken by Walters & Kerr Bate.

Jesus statue,organ loft,aisle of St Lawrence's Church.Pupils of St Joseph's would attend Mass every Tuesday morning.Stephen Armourae at a later date played the church's organ

In the 1990s a priest who had lived at St Ethelbert's returned as parish priest. Father Robin Duckworth was assistant professor of Biblical Languages at Heythrop College in the 1960s.His successor died in 2012. In June 2012 the Marist Fathers faced the same decision as the nuns had in 1989. On Friday, 22 June 2012, Archbishop Peter Smith presided at a Mass of Thanksgiving for the ministry of the Marist Community, who have served the parish for 101 years. He was joined by Bishop Tom Burns of Menevia, himself a Marist who taught at St Marys Grammar school in Sidcup, Bishop Paul and Monsignor Matthew Dickens. It was decided that the Marists would relinquish the parish in August 2012. In October Father John Diver was appointed Parish Priest.
Stephen Armourae's photos and description of St Lawrence's from the 1970s-80s also show further changes: the blue arched ceiling was repainted a glaring white. The 50 foot medieval floral design fire curtain at the north end of the church has been removed. The mosaic floor is now covered by wooden paneling.

St Peter Chanel

This school is connected with St Joseph's Convent as a consequence of being part of the same Catholic parish and under the auspices of the Marist Fathers and their theological house throughout the whole period they provided parochial care to St. Joseph's. Consequently, the two schools had a fraternal relationship.

Fraternal school of St Joseph's Convent built by the Marist Fathers priests who provided religious care for both schools

The Marist Fathers founded St Peter Chanel school and named it after their martyr and saint. A couple of the priests served as headmasters of the school.
The uniform is distinctive from their St. Joseph neighbours. Dark brown blazer, with an unusual bright yellow shirt. The school emblem is a cross against a background of palm fronds.
At the turn of the century the population of Sidcup was mostly Anglican and Non-Conformist. By 1950 the number of Catholic residents had increased to a number to require the building of a second Roman Catholic school, St Mary’s Roman Catholic Grammar School for Boys. followed by a second primary school, St Peter Chanel in 1975, and a grammar school

St Mary’s Roman Catholic Grammar School for Boys

This is a now defunct secondary school in the Roman Catholic Diocese of Southwark. The school was opened as a result of its close educational and geographical connection to the primary school of St Joseph's Convent, the majority of boys on graduating from St Joseph's at the age of 10 or 11 attended this school, located half a mile from St Joseph's.
Built in the 1950s by the Marist Fathers as a grammar school it had an excellent academic record. The school emblem was a bee which signified industriousness. In 1982 under changing circumstances the school became co-educational changing its name to St Mary’s and St Joseph's Roman Catholic School . Academic results started falling dramatically from 1988.
The condition was so severe that by 2001 it was decided to abolish secondary education and concentrate resources as a sixth form only college, renamed St Luke's Catholic Sixth Form. [32] In 2008 the college came under the auspices of the Christ the King Sixth Form College in Lewisham. This was followed by a name change Christ the King: St Mary's.
A priest of St Lawrence's and former headmaster of St Mary's Father Philip Graystone, . passed away at Dorrington House Car Home, Wells-next-the-Sea, at 11.30 pm on Monday 15 September 2014 on the Feast of Our Lady of Sorrows. He is commemorated by a plaque at St Lawrence's. He wrote a number of books on traveling and landscapes.

Verona Fathers (Comboni Missionaries)

The Verona Fathers are an educational order with a strong presence in Central America, Africa and particularly Kenya. [35] They place an emphasis on teaching science.
The Order were commissioned with the parish and the church under the Roman Catholic Dioceses of Southwark in Sidcup in 1900. They were the first to provide pastoral care and religious worship to the nuns and pupils of St Joseph's.
In recent years the Verona Fathers have been central to a series of sexual abuse allegations inflicted on former pupils at other schools including Mirfield Junior Seminary which resulted in an out of court settlement. The accusations and court cases are part of the wider Catholic Church sexual abuse cases . Victims at Mirfield were as young as 11.
By contrast, another member of the Verona Fathers Bishop Óscar Romero  was martyred as a result of his outspoken opposition to the atrocities committed by the El Salvador government. During Mass, on completing his sermon he proceeded to the centre of the altar where he was suddenly shot dead by government operatives on 24 March 1980.

Recent years

There has been a growing interest seen on the Friends Reunited page for the Convent among former pupils in collating details about the Convent. The rather unusual circumstances of being taught by French nuns in a convent with weekly Masses has encouraged this.^[27][28][29]
Correspondence with the Roman Catholic Sees in Rome and Normandy confirmed that the Marist Fathers had vacated St Lawrence's in 2012 and a recent new Regional Superior appointed.[42]

Soeurs-De-L-Education-Chretienne

(This is included as it was part of the research into the Convent's history and the error of the Order was recognised in 2015)The first four nuns who founded the Order as an educational denomination was in response to, Father Louis Lafosse, pastor of Echauffour. The four dedicated themselves on 21 November 1817. Lafosse trained them to give "little girls a solid human and Christian formation guarantee of future outbreaks." His decision was the result of his horror caused by the French Revolution. [18] The nuns taught in the parish of Church of St. Andrew Echauffour. The new congregation was approved by Bishop Saussol Alexis, the Bishop of Sees Diocèse_de_Séez [19] from 1817 to 1836 under the ascent of Archbishop fr: François de Pierre de Bernis in 1821. He was the Archbishop for the Roman Catholic Archdiocese of Rouen . [20] [21] In the twentieth century they expanded their schools across the world and installed an international community in Peru in response to the country's then human rights conditions.
The sisters' made a statement in 2011 attesting to their ethics: " "We are working with other people to growth and the creation of communities able to create and evolve structures . society in the interests of justice and truth always attentive to the poor, we participate in the mission of the Church in Education various sectors: pastoral, teaching, catechesis, chaplaincy, youth movements, women's promotion in third and Fourth World ... " "Following Christ, we live in community. Nourished by the Gospel and the Eucharist, we seek God in life, prayer and personal and community reflection." The nuns resided at the congregation in Échauffour which closed in June 2011. The nuns were relocated to the Congregation of the Sisters of Misericorde in the Orne department of Normandy, France.
The decision to vacate the nunnery they have occupied since 1817 was taken by Sister Cara Nagle, Superior General of the Sisters of Christian Education due to the small number and age of the remaining nuns and the financial demands of maintaining a large estate.
Overseas missions continue to thrive. The surviving nuns of the Order have an average age of 89 as of 2015. They moved to the Misericords convent where they joined other nuns who had moved there for clinical care.
Sister Odette said of the relocation, ""Of course, people are sad to see us leave, but they understand what happens to us. We are not all that different from other families, increasingly face the phenomenon of old age and must adapt.
Another sister said, "Christian Education, [the order] even at the time of its international influence, remained a small congregation, we were always told that these apostolates of modest size, the average life expectancy was usually 150 to 200 years."
Sister Marie-Thérèse one of the surviving seven nuns, said, "The community life is essential for us, it is part of our being, usque ad mortem!" ""We will strive to establish contacts with people who have changed little. This is our charisma, "live with" dear to our founder Fr. Lafosse."
Christian Delahaye, for the Church in the Orne, said, "In this period of change experienced by the Church in general and in particular congregation, the community is more attached than ever."

Le Recherche the Proustian Memory

One of those early memories that makes you remember the feeling of being alive; and actors need it

This isn't about Coke!But as it's here now, what is the power of Proustian memory this bottle recalls?Those multisensory memories which revive what it felt like to be 6 years old. And a very valuable asset for an actor, as that's what my EQUITY card tells me!

The Coke bottle revives the dusty hot streets of East London of say 75-82 summertimes. When the air was filled with cigarette smoke. My family don't drink so it was probably visiting pubs owned by cousins or dad meeting someone related to work. The bottle must be GLASS. It does taste different.

But the reason bottle is here, is for it's typography.

It's called the Loki Cola font & for me it's significance is that its very similar to the sign where I lived. Kennards a hairdressers on Main Road, Sidcup which was my parents home amoungst the  relatives that I chose to stay with: sister, grandfather etc.

Kennard himself was a cheerful Jewish hairdresser who had a 70's moustache & had purchased the shop & accomadation above it from an orthodox Jewish family.  My father knew immediately it had been the home of an Orthodox Jewish family, as there is something that is a give away if you know what you are looking at.

Sadly I cannot find any photos of the hairdressers sign. It was magnificently elegant. A similar font to Coke's its scrolling white lettering set against a black background which made it look very cool

The Imaginings of Misunderstanding

Mondegreen is the phenomenon of mishearing lyrics or sounds. Song lyrics are the most famous example of tone deaf singers convinced they are singing the right lyrics & giving a whole new meaning with their rendition.

This post is about the visual equivalent.There must be a term for it.
Back in 1976, September, it was sunny and bright, really was, I would pass Sidcup Police Station every morning & afternoon on my way to St. Joseph's Convent   on Hatherley Road. This blog has lots on the Convent!

The police station above (a more recent photo) had a poster stuck on its board alongside WANTED posters. Those posters did include armed robbery & a photofit of 'Wanted for MURDER'  Reward £5000.

But the poster which grabbed my eye every day was one dominated by a human skull with the title RABIES KILLS  I was having a good education & read books so aged 5 I could read this poster, except I read it as RABBIS KILL.  I didn't ask my mother who was with me why this scaremongering piece of antisemitism was being promoted by the MET police.

After weeks of being perplexed & offended I did stop my mother one morning & demand answers as to why this hate filled poster was not causing public complaint.  She corrected me & that it was not a Protocol of the Elders of Zion  propaganda.

The police station has now reopened as bar! I like balconies in architecture so I had some affection for this building despite it's forthright facade which says "we have cells", "we are looking to bang you up."
What is missing  is the

police light!

 As I am fascinated by design I do like the design of these police lights based on a square tetrahedron. Ultramarine blue which turns Egyptian blue when the light is lit.

On Mondegreen's a one that every heavy metal  fan of Black Sabbath gets wrong is
Sign of the Southern Cross during the Ronnie James Dio era Mob Rules 1982.
The lyric EVERYONE hears is:
"Give life to those who have died"
which conveys the optimistic idea of resurrection achieved by the spiritual practices of the living

In live performances the late, great Dio mimed the actual lyric due to everyone mishearing  & misunderstanding what he sang:
"Give a KNIFE to those who have died."
This is an ancient practice of condemning those who had died & were considered evil or dishonourable. To stab & so kill again the abhorred dead person. It also symbolises the severing of all ties with the deceased & that the corpse will not receive funerary rites.

Cancer Fun!

You get told you're carrying genetics that are hereditary & lethal & then you meet the love of your life- 

It's 100 years since the Battle of the Somme in a few months &  I'll be writing about the officer I knew in the 70s-80s who had a leg blown off at the Somme.

It's now 30 years since my mother's family had a fortunate diagonisis.
Back around 1980 I commented that a surprising number of my mother's father's family had died of cancer. This was in the age where cancer was seen as automatic death sentence. John Wayne had drank with my Cockney paternal grandfather in Wapping  & not long afterwards was at the Oscars claiming to have "beaten the big C", whereas he was wearing a divers suit beneath his suit to hide the weight loss.

But in 1985 my maternal grandfather became ill. For some reason an American doctor named Professor Maizie was alerted to his case, Maizie had caused a medical storm by claiming  & then establishingthat a form of cancer was genetically inherited. Not a tendency, but a genome time bomb that would unleash cancer proteins when triggered, inevitably triggered.

Maizie & his British colleague, an oncology professor & fellow surgeon at Guys were identifying families with this form of cancer.  A rare form of cancer found only in a few families in Great Britain.

They found my maternal grandfather's family were carriers, which enabled them to save my mother's life as the medulla thyroid cancer was caught early.

30 years ago it was usually fatal & left the sufferer without a voice & other complications. Not my mother who astonished the medical experts by her recovery with only a dependency on fizzy calcium tablets, however they are keeping her alive.

Then it was my turn.  Every few months Guys hospital would stick  a bloody great needle into me & take my blood away to see if it had cancer cells.

So at 14 I was being told I was probably the carrier of my own death, & clearly would pass this on to any children.  A fate which I believed I did not have the right to inflict.

At 18, the British professor, Prof. Clark, came to me as I was reading a university chemistry book as my blood was being taken & informed me that the previous results were 'inconclusive.' 2 inconclusive or a positive & they would be cutting my throat open.  This was an omen I had been prepared for since I was 14 & yet it still hit me like a bolt of lightning.

While awaiting this second test result, which took months, I met the woman for whom we both felt the same for eachother.  The difference was I kept my feelings secret, unlike her, as I believed there was no future for us. Even if the results were negative, we could never have a family together.
& that's another story 

St Joseph's, How & Why Wonder Books III & some Einstein Relativity & Astronauts

A look at some more How and Why Wonder Books . Apropos the Convent as I had these books in the 1970s. And here are the links for more on St Joseph's Convent in Sidcup

http://armourae.blogspot.co.uk/search?updated-min=2015-01-01T00:00:00-08:00&updated-max=2016-01-01T00:00:00-08:00&max-results=1

http://armourae.blogspot.co.uk/2016_02_01_archive.html

http://armourae.blogspot.co.uk/2016/01/st-josephs-convent-more-salvaged-from.html

nuns-
http://armourae.blogspot.co.uk/2016/01/st-josephs-convent-nuns.html


On the How and Why books here are some that had a special interest for me. Only Deserts was the copy I owned, the others were recently acquired either online or via Ebay.

Not the most interesting title, by a long shot, I have an affection for this as it was bought for my murdered sister Bernadette Bazzoni when she was  8 in 1967.  Purchased by our father  as he had lived in the Sahara Desert as part of his army service in the 3rd battalion of the Coldstream Guards. He was also located in other deserts & the cold of the Korean War.

Time is a very interesting title! Dinosaurs was the most popular title, its a fascinating subject, but time is a complex subject.  At first it would seem a dull subject: time is just looking at a clock or a sundial.   But time is a philosophical subject & there is a question of whether the past or future have physical existence, that is is time relative, or are the past & future have no existence and only the present moment: that is, is time absolute.

Around the time of its publishing, there was proof  of time travel on the nuclear physics scale, as particles were observed having a life span greater than established life expectancy.  This extended life was due to Einstein's  Time Dilation effect of Special Relativity.

Also Cherenkov radiation effect & astronauts red blood cells living considerably longer than their 3 month life expectancy demonstrate time travel due to Time Dilation effect.

A book I always wanted but wasn't usually in  bookshops; I never saw it. It's intriguing as the portrait reminded me of Paul Newman & the execution of the painting is impressionistic:  Space Impressionism

Basic Inventions was featured along with all the published titles in the 1970s editions as a  series of small photos on the back cover.

This cover always fascinated me, it's in the style of the French Surrealist artists, before I knew what Surrealist art was, most of my father's huge art book collection, he trained at St Martins School of Art, was of the Classical & Renaissance  era.   One object that immediately draws the eye is the wheel with the triangular gear at the back of the illustration. Then at the same time there is the prominence of the lighted torch.  For me the simple illustration of the burning torch is very effective as there is something disconcerting about it. Maybe its a fire surrounded by so much wood.  I have been on film sets with lighted torches & felt completely comfortable compared to this image.

This is one of the finest illustrations of the whole series.A number of objects arranged around the centre of the wheel in the middle of the picture.  The absence of any human or animal presence prevents the observer making a connection with the picture, so achieving Bertolt Brecht's distancing effect  Verfremdungseffekt.  That wasn't the artist's intention but the effect of dissonance ensures the painting retains its sense of mystery

The Best of Times

I was the only boy in an all girl class & loved it -

It is the 1970s again & my Catholic school  St Joseph's Convent ( which was also a convent)  again! This isn't reminiscing though but an event that would interest a sociology or child psychology researcher.

In 1979 we were all in the second year of Mrs Lyons ( there are pupils from the Convent who read this site). We were met by our teacher with  her fashion styling that Margaret Thatcher appeared to later have purloined from her & our headmistress the fearsome Sister Theresa.

 There was nothing aggressive about Sister Theresa, but we knew she carried a cane & she was an imposing presence. We didn't know how much the boys in her class & 50 years earlier the girls she taught loved her as she made sure all them received the best education, and that she remembered just about all of them.

The  purpose of our teachers blocking our progress to our classroom, is that we didn't have a classroom.  The water tank had burst overnight & drenched our Victorian wooden desks.

So we were to be assigned to other classes. The problem was the class was to be sent to lower years and the teachers would have to teach two classes in the same period.  The 24 of us were divided off into the lower age group of back to Mrs Lonsdale, the girls class of Mrs Taylor & the kindergarten class presided over by Sister Antionette & someone else.

The least academic & most unruly boys were sent to the 4 year old  class. Their outspokenness was immediately replaced by embarrassment when they were surrounded by kids less than half their age.

So everyone is sorted out
Except me!

For me, Sister Theresa looked through her spectacles  & told me to go to my age group, the all girl class of Mrs Cullen. "You're friends with some of the girls &  you learn" or similar words my old nun said.

She was right I was friends with some of the girls who had come to my birthday parties, often made more sense to me: they weren't obsessed with football, and since the age of 5 I had adored   a girl of the same age named Nina.
Mrs Cullen was a scary figure. Over 60, her hands resting on a walking stick and afflicted with rheumatism, the only contact boys had with her was her booming voice "What are doing?!" and variations thereafter.

"Sister Theresa told me to come here", I said to the aged teacher shrouded in a heavy brown cardigan at her desk in the bottom left of her classroom by the window. My trepidation towards Mrs Cullen, given every strident outburst  I had seen, was replaced by surprise  as it transpired that Cullen was a patient, skilled and calm teacher. She had a similar style to our headmistress Sister Theresa.

For  at least 6 weeks we  remained in our allotted places. None of my classmates in our formerly all boy 9 year old class were pleased sharing a class with pupils aged 4 to 7.

Whereas I was very, very happy.

I had one of the finest teachers I have ever known, classmates who were not obsessed with football, sport, or whatever else. And classmates who for the most part  I was on good terms with.

In fact it was the best time in any of my education.

Finally we all regathered in our classroom on the first floor of the boys block. Back to Mrs Lyons obsession in finding any excuse to slap young boys, What was more offensive was her middle class affectations & trying to brain wash us into the 'respectability' of working in a bank!

This experience would be of interest to social psychologists or sociologists as being the only boy in a class of 24 girls is very rare, or just about unheard of!

News Ain't What it used to Be

1970s reflections again!

Around 10 years ago I saw the late, great Daily Telegraph  journalist Bill Deedes talking about changes in international reporting since the 70s. Bill's career started in the 30s as an African reporter, immortalised in Evelyn Waugh's Scoop  novel as William Boot reporting on the the Second Italo-Abyssian War of 1936.

With the emergence of online & 24 hour news coverage current affairs would appear to have benefited. Bill highlighted the opposite had happened.  International reporting on Africa had plummeted since the beginning of the 80s, and the new technology was being used to circulate an increasing national, media & celebrity news.  This pattern has continued spiraling like a tornado. Only some Twitter accounts & channels like Al Jazeera  provide blockade against the 'celebrity' news garbage.

I was always interested in international affairs; being an 'odd' child ie preferred books to football (greatly preferred), and my father's years in North Africa, the Middle East and  Korea provided a family interest in everything Arab, Israeli & further horizons.

The big international events in my early childhood were the arrival of Bangladeshi refuges, Vietnamese boat people & 3 TV events, that as Bill intimated would not be one TV news now as they were then:

BBC news started one evening, on a weekday, as I had come home from St Joseph's Convent, that Idi Amin of Uganda had been deposed.  Footage showed crushed wire fences where UNITA rebels had stormed in the final defeat of Amin, who fled to Saudi Arabia

The most startling news footage   I ever saw came from Iran in 1978. Ethiopia 84 was harrowing as opposed to shocking.

The ITN  5.45 news titles started.  This was in an age where news programmes emphasised news & not colourful graphics as their reason to broadcast.Superimposed on the  5:45 ITN News logo was new film of an Iranian soldier lying flat on top of a tall building, the cameraman standing behind him, as he fired a heavy machine gun, a weapon that can bring down a plane, into the crowds of Tehran below.

Of the crowds only the massed throngs which blocked out the pavements & road could be seen. But closer to the building, hidden by its balcony were the crowds that the Shah's soldier was firing live ammunition into.  He kept adjusting his position, so clearly aiming at the people.

I haven't seen any news footage similar to this broadcast on British news channels in 35 years.  It can be recorded but clearly  it is deemed too 'disturbing' for the public; whereas I do want to see what is committed by governments. In the case of the Shah of Iran, it was also his Prime Minister  Jafar Sharif-Emami who's actions by ordering the Black Friday massacre in October led to the riots now on the news.

The third one was the Khmer Rouge - that's for another post.

How And Why Wonder Books II

Another post on the excellent How and Why Wonder Books series of nearly 100 titles (see 9 February below). Previously  I described the high quality art work, especially the covers. How I was introduced to them via my late sister Bernadette Bazzoni  having  about 10 books bought by our father.

 I now have about 77 of these, and the amount of detailed information in many of the humanities subjects: Crusades, Lady of the Lamp,Old Testament  is surprising. Some of the scientific texts such as Interplanetary Travel have suffered as a result of rapid scientific advance. Written in 1960 some of the stated 'facts' become erroneous following planetary probes and the Apollo missions.
And today the discovery of Gravitational Waves again renders some information in many physics texts inaccurate. The hypothesised wave by Einstein is now confirmed. Gravitational waves have been detected between galactic bodies & originated a trillionth of a second after the Big Bang

Titles published after 1974 are usually rare. Snakes published in 1975 above. It features the cheaper photograph which the Americans opted for to lower production costs at this time.

Another American title.Looks quite effective until you realise it's one desk lamp pointing at a curtain!


A British only title next! These are rarer as fewer were printed. Everyone wanted a copy of  Dinosaurs. This one is from 1970 as it's in the  transition from imperial to decimal coinage. Hence two prices:

Worst artwork of the series during the 'illustrated cover era'


Another rare one but with a fabulous artwork-

Here the very rare British title Heraldry

Finally the rare and expensive Arms & Armour with a stunning illustration-

The very last titles of the How & Why Wonder Book series-

Never seen or heard until recently these ones:

• 6596 Rare Animals       6597 Ancient Egypt 6598          Oil 6599 Parliament
• 6600 The Ice Age                 6601 Arab World - this will be very interesting as it predates the Iran Revolution & everything that has happened since

I'm in a book apparently!

My first speaking role in a movie, & my first movie, won awards. I only found out  a couple  of years later, that Are You Ready For Love, a title that has always made me squirm when anyone asks, "What movies have you done?" Got around 11 & I was a recipient with some others of the Monaco Angel Award (ensemble actors) & something else.
I've found I'm also in the book Six Degrees of Kevin Bacon: The Complete Guide to the Movie Trivia Game. This is for my very brief appearance in the Dark Knight. Nevertheless a pleasant little surprise

War of the Worlds Jeff Wayne screws it up by revisiting it just like George Lucas with Star Wars

Back in 1978, I was at one of  my St Joseph's Convent (you will read a lot about the Convent on here) friend's home. He was excited about something  & that I should be prepared for it. He produced his elder bother's copy of Jeff Wayne's Musical Version of the War of the Worlds. Richard Burton said "No one  would believe- "  and I thought " I must become an actor". So surrounded by his Star Wars wallpaper  we experienced an aural revelation.

I did eventually train and do a quite a number of films & theatre in London.  Prior to that there  had been a year of naval college (place was falling into chaos but it impresses people on my CV), arts  & sciences studies.Then often part time  pharmacology,chemistry,physics,engineering, film & broadcasting, the acting with design, while attending  the classical music & psychology depts. Then part time  sound engineering & music production  and more recently forensic science.

As with everyone else who was in awe of the album I believed 'The Coming of the Martians',sides 1 & 2, that's what an LP has for those under 30, was the best. Of course everyone is wrong!

The 'Earth Under the Martians'  is musically & dramatically superior. The Red Weed could have been sketches by Alban Berg. The Spirit of Man is the strongest composition on the album & so amougst the best of any musical or rock opera.  And Richard Burton outdoes his outstanding narration on the The Coming of the Martians part.

Jeff Wayne doesn't write much! His next original composition was Spartacus 16 years later  which met a muted response & featured Catherine Zeta Jones descending into her 'wilderness years' until she was sitting in a Hollywood restaurant & famous sex-addict Michael Douglas spotted her.

To keep busy Jeff likes to revise his most famous composition, as does George Lucas to his Star Wars trilogy.  You should now see the iceberg looming.

The first thing Jeff Wayne did to 'improve' his classic album was alter the heat ray sounds. He ruined them. The loud blazing sound like a crash of thunder accompanying the searing light of lightning across blackened clouds was removed.  The next sacrilegious  desecration was lower the Martians in the mix. In the original the Martians ROAR their strident call for human annihilation  ULLA . A sound so powerful that it still has an impact 37 years later. Now they squeak by comparison.


 Ulla is Gaelic for apples apparently. The Martians invaded Earth in pursuance of  cider it seems.

Jeff decided that the lily needed even more gilding. By God he shoved that lily in a load of manure next!

A new version featuring the excellent Liam Neeson was announced. It would offer an alternative take.

Liam Neeson took the Richard Burton role of Narrator/Journalist. The emphasis here was on the Journalist role whereas in the Burton recording he was  the Narrator. Liam Neeson sounds like he is proof reading his newspaper article during the whole album.  This is more faithful to the book, but is devoid of Richard Buroton's immediacy & drama of someone actually living through  the end of  the world and recounting it in the present tense.

That production decision was understandable, new album new interpretation. But then things got really bad:
Apparently there is a live drummer on the album & not a drum machine. The drumming is indistinguishable from a 1980 drum machine.  It is devoid of any  human qualities such as rhythm, swing (which Black Sabbath drummer Bill Ward has amply) or variation. It sounds like someone reading a percussion sheet music and having never heard any of the music before.

And the clearly best part of the album, Spirit of Man? The Parson is delivered by a caricature Irish accent. Imagine a drunken impression of Frazer from Dad's Army. Beth, his wife,  now is a hysterical girl panicking because there's no biscuits  for afternoon tea or such like.

I know the two singers for the Parson & Beth are skilled singers probably from a musical theatre training, but by comparison to the original:
Phil Lynott of Thin Lizzy, screamed and roared like a soul ripped apart. Almost nothing can compare in rock,musical or opera.  He embodies the agony of a priest who's greatest strength is love & compassion drives him insane when confronted with the apocalypse of the Martian invasion.

Julie Covington played the original Beth. Her characterisation is of an unbreakable force  who saves her tortured husband's life & refuses to let him be engulfed by his insanity instead she fights indefatigably.

The new interpretations of Forever Autumn, Thunderchild & Brave New World are equally screwed up.

The Martians now sound more emasculated than previous tinkering. The Heat Ray  is now a cheap sound effect from a cheap early  Yamaha digital synthesizer; not the sonic gorgeousness of an analogue one.

So why did Jeff Wayne want to  mess around with such a  classic? For more money? No for this:

The revelation-
Jeff released a 7 cd collection of out takes & demos. The out takes include  informative A cappella from everyone & Richard Burton drinking coffee then saying into the microphone "shouldn't drink coffee when doing a voice over". 

The  demos are the 'thing'. In the 1975 demos the Parson & the other singers do sound like the new album & stage show. Clearly when the album was made the cast on the album were too good, they were above what Jeff Wayne intended. So the new War of the Worlds  album is to achieve the mediocrity he had hoped for,

Recovery of the Artifacts - How and Why Wonder Books

More Recherche musings this time the recovery of those artifacts from your childhood that should never have been forsaken or lost.  As with a previous post on the connection of childhood memory empowering hypnosis practices -
http://armourae.blogspot.com/2016/02/le-recherche-hypnosis.html
St Josephs Convent details at -
http://armourae.blogspot.com/2015/12/st-josephs-convent-primary-school.html

http://armourae.blogspot.co.uk/2016/02/st-josephs-convent-this-is-reprinted.html


 this reflects on the impact of Affective Memory, those memories which release not only a visual or auditory memory but a whole engagement of all the senses plus an emotional response, which  Strasberg used as the whole basis of his Method Acting (overrated! I will always be an Artaud).

I have recovered copies of my late sister, Bernadette Bazzoni's, How and Why Wonder Books.The originals were disposed of 30 years ago as I had a rapidly expanding book collection which was taking over every piece of space- my mattress rested on a bed of books.
The most important one was the Wild Animals edition.

It wasn't just the contents that made this so valuable, as you can see the artwork in these books was also exceptional.
My sister's copy was battered with pages missing. Don't know if Bernadette or my infancy was responsible.
The other editions that needed to be recovered were the well known Dinosaurs,

  and  Reptiles,Planetary Travel,Magnetism,and Deserts.  The last probably bought by my father as a consequence of the years he spent in North Africa and the Sahara Desert.

Of the above I now have digital copies of all of them plus a paper copy of Wild Animals. I also always wanted a copy of Ballet which I saw only once at Longlands Primary School summer fair. Delighted to have that 37 years later,

That left my own purchases: Dogs, which I bought because it was there, from the stationary shop opposite my Convent on Hatherley Road. Another one I didn't particularly want was Deep Sea. So no hurry to replace those. But the ones I was eager to replace were my Butterflies and Moths, Extinct Animals. 

Both of these are amoungst the rarest of the series. They were amoungst the last printed, alongside Tower of London and the very last title Heraldry.  I now have both in digital copies & butterflies in a paper copy, I obtained both from Alfriston Zoo, more on that another time.

Some very fine illustrations in this book! It's the art work which has revived interest in these books which have been out of print since around 1979

This is not my original copy. The American editions had inferior photographic images, like this, in the late 1970s.  The British imprint used paintings. For Extinct Animals it featured a sabre tooth tiger killing an extinct species of crane. Extremely rare edition evidenced by no images on Google. One of the very best of the 78 books too.